Mabel’s Dramatic Career isn’t Normand’s best work, nor is it one of Keystone’s best shorts. But it exemplifies what Normand’s presence could add to a film. And, maybe, what her absence could take away.
Showing posts with label Keystone. Show all posts
Showing posts with label Keystone. Show all posts
Monday, January 26, 2015
Mabel's Dramatic Career (1913)
Mabel’s Dramatic Career isn’t Normand’s best work, nor is it one of Keystone’s best shorts. But it exemplifies what Normand’s presence could add to a film. And, maybe, what her absence could take away.
Sunday, March 24, 2013
Thursday, February 7, 2013
Happy 99th, Little Tramp...
As reported by my noble colleagues at the Toronto Silent Film Festival, today is the ninety-ninth anniversary of Kid Auto Races at Venice (1914): the first public appearance of Charlie Chaplin's Little Tramp. The film itself is simple and brief, and Chaplin would go on to do much better, even for Keystone. But, for providing the world with its first glimpse of a character who would go on to be one of film history's greatest icons, Kid Auto Races will always be a big deal.
(For the record, my first exposure to the Little Tramp was through a parody... on Sesame Street. That's how deep this character is sunk into popular culture.)
I blogged about Kid Auto Races in Fall 2011. Click here to read that post.
Of course, given that this is a silent film blog, I've written about Chaplin many other times too. Here is a list of those links, for your leisurely reading pleasure:
The Circus
Pay Day
The Gold Rush
Modern Times
Shoulder Arms
A Woman
Mabel's Busy Day
--Chris
Thursday, January 17, 2013
Wednesday, December 19, 2012
Tuesday, November 13, 2012
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